Save the whole look under a name, so a second channel — or a different series — is one tap away.

Every dial below is remembered between videos on this device. A style is a named snapshot of all of it — words, color, outro, length — so a second channel is one tap away.

Drop in the shots. They get trimmed and paced, your counter goes on in a locked style, and the export is ready to post. Nothing uploads — your footage never leaves this device.

Clear project

Up to six shots; order is the story — payoff first, then the work, then the reveal. The speed chip cycles 1–8×; Fit squeezes the clip's whole trimmed span into its slot, so an hour of work becomes a timelapse automatically. The second clip starts on Fit. Drag a trim handle to see that exact frame; the bright bar is the span actually used. Your project — clips, trims, everything — is saved on this device as you go, so hopping to the Studio and back costs nothing.

See the preview ↓

The counter and the line under it. These stay identical every day on purpose: repetition is how a scroller recognises episode 50 as yours. Not one of a numbered run? Clear the number and the chip goes away — the hook moves up into its place.

Consistency is the whole trick — a scroller recognizes episode 200 because it looks exactly like episode 3. Set these once and leave them.

The music under the whole video. Each clip can also let its own sound through, at its own volume.

The bed is remembered on this device, and so is its volume. Drag it while the preview runs and you hear it move. Each clip has its own volume slider up in the clips card — the work clip hums at 20% by default.

The card that closes the video — your sign-off, held for a second or three after the last clip.

End card, inside the total

Drag across the preview to see the end card.

Where you send people. Used to write the caption and pinned comment after an export.